Photo-Engraved Precast Concrete
If a picture is worth a thousand words,
then photo-engraved precast concrete speaks volumes.
By Greg Snapper
Before
the Irvine family owned the Irvine Ranch region in
Orange County, the Gabrielino Indians, Spain and Mexico
each ruled what is now one of the largest properties
remaining from California's Rancho Era. The city of
Irvine, Calif., was looking for a high-visibility
way to illustrate the Irvine Ranch’s proud past,
and with a new multi-use public trail in Irvine, the
city chose a unique picture storyboard to chronicle
the rich history of the Irvine family and others who
influenced the region’s development.
What is unique about this particular storyboard is
that the photos are engraved on precast concrete.
Photo-engraved precast concrete seat backs designed
with monotone historic photos line a 40-foot-long
semicircular seat wall on the Jeffrey Open Space Trail
(JOST) in Irvine. The wall is composed of concrete
masonry units faced with stone veneer, and fitted
with precast concrete radius seats, and topped off
with stone caps.
“The key was to get all the components working
together,” says Scott Jones of ValleyCrest Landscape
Development, general contractor. “That was the
challenge.”
After building the wall components, the panels were
installed on pins affixed to the seat wall. The photo-engraved
panels were attached using threaded stainless steel
pins.
“I thought it was a unique product and added
to the project’s theme by depicting some of
the City of Irvine’s history,” Jones says.
This precast timeline is a pride and joy for Robert
Beverly, photo-engraved precast concrete designer
and owner of Intaglio Composites in Arlington, Texas.
“Imagine any image, be it a line drawing, photo,
signature or a child’s drawing,” Beverly
says. These precast panels turned imagination into
reality for the City of Irvine. The panels tell the
story of the Irvine Ranch, illustrate the chain of
events and bring to life the founders through aggregate
sketching, an intricate mechanical and chemical method
in which the image is created from the exposure of
aggregate at the surface level where the image lies.
“The size of the aggregate used is determined
by the image size,” he says. “There is
no boundary to what can be replicated when applying
our process in a flat surface.”
Contrast, clarity
and quality dictate the outcome of any work
“The
quality of the final photo-engraved composite image
is directly dependent upon the quality of the original
image,” Beverly says. The imagery selected is
the most important aspect of this process. Intaglio
Composites uses digital technology to enhance its
design process and to perform unique tasks in digital
transformation of the imagery submitted. But time
is of the essence when considering the quality of
the end result. Time saved by providing high-resolution
images with clear contrast and clarity greatly enhances
the outcome of the final product.
Careful image selection for a project like the JOST
seat wall was necessary to achieve a high-quality
end product. Proposed images were carefully reviewed
and designers and landscape architects took into account
the contrast between the focal subject matter and
the backdrop because both dictate the quality of the
end product.
Coloring
There are currently two ways to obtain color in the
final precast photo-engraved image. The preferred
method is to add colored aggregate. The colors that
provide the best results are black,
brown, green and red, according to Beverly. An alternative
method is to apply a broad spectrum of currently available
dye directly into the cement paste, which creates
the tint.
The contrast between both the aggregate and the cement
tint will deliver the best monotone image. Black aggregate
with a white-tinted cement paste achieves the greatest
contrast, while a brown tint mixed with brown aggregate
would produce a low contrast final product. Once the
background image is set using aggregate and tinted
cement, the final product can be highlighted with
colors, acids or stains, which are applied to the
surface.
Testing remains underway to introduce multiple aggregate
and cement coloring to the image area. This development
would allow a variety of new possibilities for full
color photographic imaging for photo-engraved products.
While Intaglio Composites owns the process that creates
photo-engraved precast, manufacturers can purchase
limited licensing to create their own photo-engraved
products.
“The applications that are being presented are
so diverse that the specifications are continually
being redefined,” Beverly says. “While
there is no limitation in thickness or size of the
reproduced work, general rules of thumb determine
how the work is created. We use traditional forms
of reinforcing the concrete to create the panels,
but the final application of the design dictates how
large the panel sizes and appropriate thickness will
be.”
The second
of many to come
The
seat wall is located just off the new three-mile-long
multi-use JOST trail. Bisected by open meadows and
surrounded by dense woods and rolling foothills, the
expansive trail and seat wall opened to the public
in July, according to Jim Maloney, architectural landscaper
with SWA in Laguna Beach, Calif.
“The idea for the park is a rolling topography,”
Maloney says. “The trail extends from the Irvine
foothills to Newport Beach, passing through a series
of meadows on its several-mile-long stretch.”
SWA developed the precast timeline with the City of
Irvine and Persimmon Design, a design firm in San
Diego. “We established which images would appear
on the seat wall panels and worked back and forth
with the city as to which told the Irvine story best,”
Maloney says.
“And the city couldn’t be happier with
the outcome,” says Patricia Fierro, City of
Irvine community services superintendent. Now when
JOST users pass by the seat wall, they can take a
breather and soak in the rich history of the Irvine
Ranch – and perhaps leave with a deeper appreciation
of Irvine’s past.
“The City is extremely pleased with this first
segment of the JOST. It has exceeded all of our expectations,”
Fierro says. “I would definitely use the photo-engraved
concrete in the future, maybe on the other segments
[of JOST] or another project.”
The seat wall was the second project to specify photo-engraved
precast panels by Intaglio Composites, but Beverly
says proposed design concepts are in the works for
an infinite palette of new opportunities. “Since
the unveiling of this technology in 2003, every day
holds a new and exciting possibility.”
Project Profile
Project Name:
Jeffrey Open Space Trail seat wall, Irvine, Calif.
Owner:
City of Irvine, Calif.
Landscape Architects:
SWA, Laguna Beach, Calif.
Contractor: ValleyCrest
Landscape Development, Calabasass, Calif.
Precast Manufacturer:
Intaglio Composites, Arlington, Texas